‘Ferrari’ Review: Adam Driver and Penelope Cruz Bring Passion to Michael Mann’s Turbo-Charged Portrait of the Racecar Impresario
Published
The gleaming color known as rosso corsa, or “racing red,” is the lifeblood of Ferrari, Michael Mann’s dynamic account of the few months over the summer of 1957 when the Italian auto manufacturer was hanging by a financial thread and founder Enzo Ferrari was forced to reckon with the separate lives…
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