‘Max Beckmann: The Formative Years, 1915-1925’ Review: An Artist’s Several Selves
The name “ Max Beckmann ” evokes images of side-show stages crowded with ambiguous acrobats, Fisher Kings, mutilated women, bound and masked figures and the like, often in confrontational, over-sized triptychs. Are these mysterious people actors or nightmare personages? Torturers or the tortured?…
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