Taking a note from Taylor Swift

On Drivers License, one of the great singles of the 2020s, Olivia Rodrigo has been played for a fool by an ex, but the song — pulsing, parched, destitute — remains centred in her pathos. She may have been abandoned, but the person who did the damage is still an object of if not exactly affection, then obsession: “I still hear your voice in the traffic/ We’re laughing/ Over all the...